It’s a beautiful place, and it’s quiet,said Harel, who lives in nearby Yemin Moshe.
My work is pretty universal,Kopelman said,
But I am a Jerusalemite, and the city is very important to me. That’s why I work here.She began working in her studio here about 4 years ago, and said the space in unique because it allows her to work as well as to exhibit and sell her art.
People also come here, and that’s really special, so is the interaction and energy of all the artists here,she said. In addition to her paintings, Kopelman also sells smaller items, like sketchbooks with her drawings on the cover that appeal to a wider range of shoppers and budgets.
I really want to offer something for everyone, not just art collectors,she said.
All year long there is something to see, but the most magnificent time is in May, when all the roses bloomsays Dalit Kaslasi, the park’s rose curator, who has overseen the garden’s plants for more than 30 years. Dozens of pots of small rose bushes sit just outside her office in the park, ready for planting.
We are always adding new rosesKaslasi says. While the park is an ideal place for couples to wander about, sit on secluded benches, or to take photos against the backdrop of thousands of roses, it is also an intriguing place for those interested in flowers. In fact, it was a group of local amateaur rose growers who helped found the park in 1981 on a patch of empty government-owned land. Funded by the Jerusalem Foundation, and maintained by the municipality, the park now contains more than 450 varieties of roses from around the world.
I had no idea this was here, it was a huge surprisesaid Weisberger, who opened the Wine Temple here in 2017.
I really want to help people learn more about winesaid Weisberger, who spent more than a decade working for various Israeli wineries before opening the Wine Temple
In Israel people drink less wine than in Europe, and I think we should drink more here.
That’s the messy table, things still in progress,said Shifra Pendrak, founder of JClay Pottery Studio, where anyone can paint their own ceramics. Soon, these items on the table will be glazed and fired in a kiln. The glaze and intense heat of the kiln will transform the pale colors into bright and shiny hues
People always are so eager to see their pieces after they are fired, to see what happens with the colorsPendrak said.
I also love seeing what people make, what they come up with.Visitors to JClay can select from dozens of different ceramics----ranging from mugs and plates to Judaica items like hand-washing cups, Passover Seder plates and Hannukah menorahs. They then sit at the tables in the studio, where large windows look out on residential streets, and paint the pieces in whatever color and style they choose.
And you really don’t have to be artistic at all. People come in and say they have no art experience, but they create beautiful things,Pendrak said. After the pieces are painted, Pendrak and her staff glaze and fire them in a kiln, a process that can take up to a week. When that is done, the pieces are ready to go home.
I really wanted to give people a chance to make something to take home,she said. Many of the pieces are connected to places and traditions in Jerusalem and Israel, including pomegranates, picture frames resembling the Western Wall and even a miniature model of Rachel’s Tomb.
We also really want to have a welcoming atmosphere, where people can enjoy quality time together and relax and talk while they workPendrak said
That’s one of the most rewarding things to see.The cost for painting ceramics ranges from 30 shekels to 180 shekels, depending on the size of the piece. In addition, there is a 20-shekel painting fee for each piece. Reservations are recommended, and tourists are advised to allow at least a week for their pieces to be finished in the kiln. JClay can deliver finished pieces to the hotel for an additional fee.
“I feel grateful about being a meaningful part of the lives of people of the network of this city,”said David Ehrlich, the founder and owner of Tmol Shilshom, which is celebrating its 25th anniversary this summer. Inspired by the bookstore-cafes he visited while traveling in Europe and the United States, Ehrlich, a former journalist and author of four fictional books, wanted to bring the concept to Jerusalem. In 1994, he opened Tmol Shilshom in a small space overlooking Jerusalem’s Nahalat Shiva neighborhood, an area of winding streets and stone buildings in the city center. Over the years it has expanded, and now consists of two large rooms with stone floors and high arched windows. There is also a courtyard filled with tables. In addition to books, the cafe is filled with old typewriters, clocks and other unique items, which all contribute to the cozy and comfortable atmosphere. Tables tucked next to the stone walls and windows offer ample quiet and privacy for conversations among couples or friends.
“A lot of writers have made this their home,”said Ehrlich, who recently published a set of interconnected short stories partly inspired by people he met at the cafe. To encourage love of books and culture, the cafe regularly hosts speakers and events, and many of its plates contain quotes from Hebrew literature.
“I really feel like this is my mission, to encourage love of culture,”said Ehrlich, who recently set up a children’s corner in the cafe, filled with comfortable pillows as well as stacks of books and magazines. Such a corner also makes this a great place for those couple with children to perhaps enjoy a few quiet moments together while their children are busy checking out the books, magazines and games.
“There were plenty of places to get a beer, but we wanted to make something unique,”said Gil Barnea, one of the founders of Tap & Tail, which he opened in 2016 with business partner Matan Parides. Situated in a former market stall in a small alleyway, Tap & Tail makes unique hand-crafted cocktails from local fresh ingredients.
“We like to say it’s a folk cocktail bar, inspired by the local people and flavors,”Barnea said. They also offer classic cocktails.
“But we really specialize in our own creations,”he said.
“The exhibit looks not just at the art, but at the way modern artists use plants to express feelings and political ideas,”said Timna Seligman, curator of the Ticho House, which is part of the Israel Museum. The exhibit, on the ground floor of the building, runs through November, 2019.
“We always try to make sure that the temporary exhibits we have here have some connection to Anna,”Seligman said.
“Visitors can stop in, have a look around and even enjoy a drink or meal,” Seligman said. “It’s really a lovely place, especially in the summer when the gardens are in bloom.”
Else it probably would have been turned into luxury apartments or a boutique hotel,Schonfeld says. “It was really because of Ruth’s exhibit that this is what it is today.” While Wexler says “it’s a great thing,” that the two acres of land and its buildings have been turned into such a vibrant space, it is still important to her to educate people about its historical role in treating Hansen’s Disease, and in fighting the stigma that is still associated with leprosy. She now gives private tours of the property, including the few hospital rooms that have been preserved as a museum. One of the first things she emphasizes is that
this was never a closed institute. Patients could come and go, and people could come in and visit.Contrary to the cultural fears people have about it, going back to Biblical times, leprosy is only “mildly contagious,” Wexler explains. Only about 5% of the human population can actually catch it, as most immune systems fight it off, she says. And since the 1940s it has been treatable with antibiotics. “There are good cures and most patients can lead a normal life,” she says. But even though going back to the 1940s, some of the Hansen Hospital patients were medically-fit to go home, many stayed living here, as their families sometimes rejected them due to social stigma and fears of catching the disease, Wexler says. The black and white photos hanging in the museum reflect the community that developed in this pastoral place. Photos can be seen of the residential patients working in the gardens and learning how to sew.
Christians, Muslims and Jews, everybody lived together,Wexler says. This is the part of the hospital’s history that she really does not want to be forgotten, and this is why she gives tours. For people from outside Jerusalem who come here for the cultural events, “many don’t even realize what this place used to be,” she says. “And I feel that it is a very special human and cultural story, how for everybody who came in, this was a home for them.”
“Like all the tours, it tells a story,” she says. “It’s also incredible fun, meaningful and inspiring.”
This house is full of stories,she says. They are stories that she is eager to share with visitors. That’s why several years ago, she and about 15 other women founded Nifleot Ein Kerem, which organizes visits for both individuals and groups of tourists and business travelers to homes in Ein Kerem for meals, cooking lessons, musical performances and other cultural activities.
It brings out everything I had inside of me,she says. “I really enjoy talking about the old days.”
But once in a while I open my door.Prices for in-home tours vary from 30 shekels per person to more than 200 shekels per person, depending on the activity and number of people. For more information and to make a reservation, email Nashim.email@example.com or call 02-6298154 or 054-2550505. Or contact the individual hostesses here
It now ensures that we have more variety and a high quality of work,says Cecilia Lind, an artist who joined Altogether 8 three years ago and is now one of 15 artists in the new joint cooperative. “We are getting used to working together and rebranding ourselves.”
We are really a community, and support each other,says Lind, who lives in the Greek Colony, where she has an in-home studio.
Jerusalem definitely influences my work,says Simon, who was born in the coastal city of Ashkelon, but has lived and worked in an old stone house in Jerusalem’s Nachlaot neighborhood for more than three decades.
My idea was to take people on a walk through a gallery of art,said Renee Sivan, the museum’s archaeologist who curated the show. “Seeing these works of art lets people have a different appreciation and see the appreciation different people had for David.”
King David is not only a king, he’s a musician, a poet and also very very human,Sivan said.
His eyes were wide open, just looking the whole time,she said.
Most are in very old and ancient places.Like many newcomers to the city, Romano-- who has a university degree in art history and has worked in galleries in New York and Paris before moving to Jerusalem in 2015-- was surprised to find so many contemporary art galleries and artists working here. Jerusalem is home to Israel’s premier art school, Bezalel Academy; but until recently, most graduates headed for Tel Aviv, long the capital of Israel’s contemporary art scene, and still its commercial art center. Now, that is starting to change, and in recent years, more artists have set up shop in Jerusalem, working mainly in studios and galleries that are cooperative, non-profit, or funded by the municipality.
The galleries here are not focused on selling things, so it’s a very authentic and community-oriented vibe,Romano says. And it’s another way to learn about the city, even for those without any prior interest or knowledge of art, she says. This is why she started her blog and to give tours.
It’s about Jerusalem. The city’s symbol is the lion, which is powerful, grand and royal and Biblical. But the cats, who live all over the streets in Jerusalem, represent the everyday life here. The citizens are kind of like cats.After visiting Beita, while walking along Jaffa Road, Romano pointed out grafiti by the street artist Solomon Souza, whose colorful paintings cover much of the city’s Mahane Yehuda outdoor market. The tour also passed by an outdoor exhibition space called Black Box, which features rotating works displayed in large billboards near the Davidka light rail station.
There are a lot of hidden places like this around the city,Romano says. “And even though the focus is on contemporary art, you also can’t escape the history.”
I want to show people that the market is a fascinating place, a place you can experience gourmet food, but that it is still an authentic market, the place where people buy their daily fruits and vegetables and bread,explains Tali Friedman, the chef who opened the Atelier in back in 2009, before Israel’s food scene began to attract so much international attention. Friedman, who studied cooking Paris and Israel, grew up near the market, and says it has always influenced her cooking. Although over the years she worked in some of the city’s top restaurants, she was always trying to incorporate her grandmother’s style of cooking, based on fresh vegetables, meat and fish purchased in Mahane Yehuda.
I always kept coming back to the shuk,she says. That led to her begin offering food tours for tourists, and then to eventually open the Atelier.
Visitors can enjoy really fine food,”Friedman says. “But they also learn about the people of the market.The custom tours and workshops can be arranged for couples or small groups by contacting The Jerusalem Atelier.
I love taking care of couples, setting them up with some nice wine and food, then letting them have the space for a conversation together," Jam says.It makes me really happy, creating a space for them to have a nice experience together."
I’m old-school like that,he says. Red & White opens each evening at 6 p.m., and stays open until the last person leaves, he says. “One day it may be at 11, or it could be until 2 a.m.,” Jam says, adding that it’s a good idea for patrons to make a reservation.
But I will just have wine during Passover,he says, explaining that he will close his kosher kitchen during the holiday, when Jews refrain from eating any leavened grains. “I like to keep it simple.”
No matter how many people come, it's important for me to be open,Jam says.” If I just provide a space for one couple, or one person, that's enough."
the windmill never ground flour. It ground holy air.After an extensive renovation project funded by the Jerusalem Foundation, which involved flying in windmill experts from Europe, the windmill is again operational.